Matthew Whittall (b. 1975, Cowansville, Québec) began his studies in Montreal as a hornist, earning degrees in performance and composition from the University of Massachusetts and Stony Brook University, before settling in Finland in 2001. There he studied at the Sibelius Academy, receiving his Doctor of Music degree with distinction in 2013. His principal teachers include Robert Jones, Salvatore Macchia, Perry Goldstein, Eero Hämeenniemi and Veli-Matti Puumala. His works have been performed at Helsinki’s Music Centre Hall, Roy Thompson Hall in Toronto, Opera City in Tokyo, and on international festivals such as Nordic Music Days, Helsinki Musica nova, Tampere Vocal Music Festival, Kuhmo Chamber Music Festival and Ottawa Chamberfest.
Whittall’s eclectic output has focused in recent years on symphonic music, with several major works commissioned by Finland’s leading orchestras, among them a viola concerto, The heaven that dwells so deep (2010), for Ilari Angervo and the Finnish Radio Symphony Orchestra, and the cantata Dulcissima, clara, sonans (2011-12), to the writings of Hildegard of Bingen, for soprano Mia Huhta, conductor Hannu Lintu and the Helsinki Philharmonic. The latter work was awarded the 2013 Teosto prize in Finland, and was a recommended work at the International Rostrum of Composers. A further large scale work, The Architecture of Happiness, was commissioned by Lintu to open the FRSO’s 2014-15 season. Other works include Solen (2006-09) for large orchestra and Northlands, for horn and strings. The Return of Light (2015) was commissioned by the Helsinki Chamber Choir and Tapiola Sinfonietta. According to Whittall, it is possibly his most programmatic work, sparked off by an account by Arctic explorer Julius von Payer of the first time he saw the sun rise after the long winter darkness. According to the enthusiastic critics "the soundscape conjured forth by Whittall is fascinating, and the way conventional music-making is gradually approached and the sun at last shines forth is magical. Whittall has, in the past few years, created an aesthetic mode of expression that is not only extremely personal but also truly unique, and this may be just the prelude."
Whittall’s chamber music covers a broad spectrum of styles and ensembles. Key works include the hour-long cycle of piano preludes, Leaves of Grass (2005-09), written for Risto-Matti Marin and recorded for Alba in 2015, a cycle of flute works including Ash-Wednesday (2001) and Night, sleep, death and the stars (2008), to the more recent A fragile peace (2013) for bass clarinet, guitar and live electronics.
Whittall has also been deeply involved in Finland's choral scene as both a composer and a performer since his earliest days in the country. Currently a member of the Audite Chamber Choir, he has created a large and varied body of choral works for some of Finland’s top amateur and professional vocal ensembles, including the cycle Shiki (Four Seasons), for the HOL choir, and ad puram annihilationem meam, for the Helsinki Chamber Choir.
Whittall’s music is marked by an attempt to fuse its various disparate influences – Old and New World, Western and non-Western, sacred and secular, classical, folk and popular – into a single, variegated expressive language, and by a use of extramusical imagery ranging from natural phenomena to poetry and landscape art.