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Juhani Nuorvala celebrated his 60th birthday with a concert of chamber and instrumental music. Titled 60 Minutes, the concert was held in Helsinki on 9.12. with a programme that included the brand-new The Five Chords that Shook My World for piano performed by Emil Holmström and the Concertino in a version for electric kantele played by Eija Kankaanranta. Nuorvala was also Composer in Residence at the recent Rusk Festival postponed from 2020. There were also some premieres at this festival in Pietarsaari.

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This piano piece is a fantasy meditation on the Train/Spaceship chords in the opera "Einstein on the Beach" by Philip Glass. There is something strange in the repeating five-chord progression (Fm – Db – A – B7 – E) "because it never fails to lift the audience to its feet". Nuorvala's piece was written in 2020 for pianist Nicolas Horvath’s Hommage à Glass project. Duration 6'30.
55011-676-4, € 13,60 Buy now

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Juhani Nuorvala’s (b. 1961) Variationes ex ”Bene quondam” for string orchestra was commissioned by the Ostrobothnian Chamber Orchestra in 2017. Collaboration with the musicians led to experiments with microtonality. The work is based on a late medieval song from the Finnish collection Piae cantiones (Pious songs).
Study score 55011-618-4, € 19,80 Buy now

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Nuorvala has been described as an “electro-acoustic urban minimalist”, he seeks inspiration from widely varied sources. With the enthusiasm of an explorer, he has delved into microtonality, French spectral music, techno and rock. Boost (2009) celebrates all these features.
55011-629-0, € 14,50 Buy now

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String Quartet No. 2 (Allegro)
The Kerava Quartet
(BIS CD-1107)

Notturno urbano
The Helsinki Philharmonic, cond. Dima Slobodeniouk
(You Tube)

Markus Hohti, cello; Emil Homström, moog (Slim Phatty), Timo Kurkikangas, sound

Clarinet Concerto

Juhani Nuorvala

Juhani Nuorvala (born on 5 December 1961) studied composition at the Sibelius Academy under Eero Hämeeniemi. He also studied in Paris under Tristan Murail and in New York under David Del Tredici.

A notable variety of influences – microtonality, American minimalism, New Romanticism, popular music, techno – has been regarded as a special feature of Nuorvala's idiom. Despite this he is not a collage artist; instead he has blended various ingredients to create a mode of expression entirely his own.

Nuorvala’s works are often marked with frenzied rhythmic drive. He makes music using elements and materials that both the mind and the body respond to. He finds these elements not only in old or new classical music but in various forms of urban popular music, such as the electronic music of modern dance clubs.

Nuorvala has composed chamber, orchestral and electronic works. The orchestral Pinta ja säe (Surface and Phrase) received a special commendation in the Vienna Modern Masters Competition in 1991. The Notturno urbano for chamber orchestra (1996) resounds with urban night life and is one of his most popular works. The Clarinet Concerto (1998) contains references to jazz, film music, Minimalism and techno. Septimalia (2014) was commissioned and premiered by the Finnish Radio Symphony Orchestra. Among his recent works is the string orchestra piece Variationes ex Bene Quondam which received enhuasiastic reviews after its premiere  in September 2017 by the South Ostrobothnian Chamber Orchestra, conducted by Sakari Oramo. It received its US premiere by the Colorado University orchestra a month later.

Nuorvala has also created the music and sound for several plays at the Finnish National Theatre, in addition to writing an opera (Flash Flash, 2005) based on the life of Andy Warhol.

The strong rhythmic element is also present in the string quartet Dancescapes from 1992. The Second String Quartet (1997) includes some of Nuorvala’s most romantically soaring pages and has been adapted for string orchestra under the title Sinfonietta. His other chamber works include Prelude and Toccata for accordion as well as Boost for cello and synthesizer.

Juhani Nuorvala has for a long time been fascinated by the possibilities of microtonal writing. You can read more on his thoughts about the subject in this interview:

Juhani Nuorvala: a portrait (Highlights 2/2014)

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