Latest publications & news

Matthew Whittall will have a residency with the Vancouver Chamber Choir in 2022-2023 including performances of his works This Advent Moon, As One Listens to the Rain  and Songs of Travel – a recent piece commissioned by the Carice Singers and Spira Ensemble. The residency will end with a world premiere of a new work in spring 2023. Whittall is also Associate Composer of the Carice Singers, and the choir has plans to record his works in the near future.
The Helsinki Philharmonic Orchestra has commissioned a work from him as part of its Helsinki Variations series. Hiljaisuus puhuu (Silence Speaks) will be premiered in autumn 2022.

Read more

Northlands (album for horn and string orchestra) is a concertante work for horn and strings. Whittall tells that it was influenced by his brief experience with Iceland, its epic landscapes and otherworldly light, which had had an immediate and powerful impact both on the composer and the concept for the piece. Duration 23 minutes.
Solo horn part Buy now
Study score Buy now

Read more

Matthew Whittall’s (b. 1975) Love is Little (2009) is a modern motet which uses a Shaker hymn as cantus firmus. The original melody is gradually slowed down, looped and fragmented, forming a quiet, ambient soundscape in which each singer performs their own part freely. The piece is suitable for larger choirs but also works with 20 singers.
55011-590-3, € 6,50 Buy now

Read more

The second string quartet by Matthew Whittall saw daylight only some 20 years after his first one. Bright Ferment was commissioned for the 2019 Banff International String Quartet Competition. Duration 9 min.
Score & parts 55011-510-1, € 39,90 Buy now

Read more

The long-lasting admiration for the poetry of Octavio Paz inspired Matthew Whittall to compose this captivating choir piece. A constant ostinato motif is carried throughout the piece depicting the white noise of the rain.
55011-506-4, € 8,90 Buy now

Read more

This charming work to a poem by Niilo Rauhala describes the holy place of peace, meditation and closeness, best experienced in the cathedral of nature on a summer evening.
55011-530-9, € 3,90 Buy now

Read more

for mixed choir
Text: Christina Rossetti
This cycle of carols traces the long nights of watchfulness before Christmas, with the great event constantly deferred, only glimpsed periodically in different visions before the music turns inward again to contemplation.
55011-455-5, € 13,60 Buy now

Read more

album for horn and strings
Northlands is a concertante work for horn and strings, written for Tommi Hyytiäinen. The composer writes that Northlands was influenced by his brief experience with Iceland, its epic landscapes and otherworldly light, which had had an immediate and powerful impact both on the composer and the concept for the piece. Study score: 55011-450-0, € 29,90 Buy now

Read more

Sonata for alto saxophone and piano
Event Horizons is an intensely emotional piece, stemming from reflections on the immensity of the universe and one's own place in it. Whittall was greatly affected by the spaciousness and subtle intricacies of Eastern music – the gamelan music of Bali in particularly. 55011-432-6, € 32,90 Buy now

Read more

Piano Concerto
An admired concerto premiered in Ottawa by Angela Hewitt and the NAC Orchestra. The soloist at the Finnish premiere was Risto-Matti Marin. Whittall's original style is fresh, abundant in colours and mysterious. Study score: 55011-372-5, € 36,00 Buy now

Read more

Leaves of Grass, for piano (Book II: Thou orb aloft full-dazzling, extract)
Risto-Matti Marin, piano
(Alba Records ABCD-333)

The Return of Light for mixed chorus and chamber orchestra (extract)
Tapiola Sinfonietta, Helsinki Chamber Choir/Nils schweckendiek
(Alba Records ABCD-416)

Northlands - album for horn and strings (extract)
Finnish RSO/Nils Schweckendiek, sol. Tommi Hyytinen, horn
(Alba Records ABCD-416)

Matthew Whittall

Matthew Whittall (b. 21. January 1975 in Cowansville, Québec) began his studies in Montreal as a hornist, earning degrees in performance and composition from the University of Massachusetts and Stony Brook University, before settling in Finland in 2001. There he studied at the Sibelius Academy, receiving his Doctor of Music degree with distinction in 2013. His principal teachers include Robert Jones, Salvatore Macchia, Perry Goldstein, Eero Hämeenniemi and Veli-Matti Puumala. His works have been performed at Helsinki’s Music Centre Hall, Roy Thompson Hall in Toronto, Opera City in Tokyo, and on international festivals such as Nordic Music Days, Helsinki Musica nova, Tampere Vocal Music Festival, Kuhmo Chamber Music Festival and Ottawa Chamberfest.

Whittall’s orchestral music includes several major works commissioned by Finland’s leading orchestras, among them a viola concerto The heaven that dwells so deep (2010), for Ilari Angervo and the Finnish Radio Symphony Orchestra, and the cantata Dulcissima, clara, sonans (2011-12), to the writings of Hildegard of Bingen, for soprano Mia Huhta, conductor Hannu Lintu and the Helsinki Philharmonic. The latter work was awarded the 2013 Teosto prize in Finland and was a recommended work at the International Rostrum of Composers. The Architecture of Happiness was commissioned by Lintu to open the FRSO’s 2014-15 season. Other works include Solen (2006-09) for large orchestra and Northlands, for horn and strings. The Return of Light (2015) was commissioned by the Helsinki Chamber Choir and Tapiola Sinfonietta. According to Whittall, it is possibly his most programmatic work, sparked off by an account by Arctic explorer Julius von Payer of the first time he saw the sun rise after the long winter darkness. The piece has been released on the CD 'Northlands' and according to the enthusiastic critics "the soundscape conjured forth by Whittall is fascinating, and the way conventional music-making is gradually approached and the sun at last shines forth is magical. Whittall has, in the past few years, created an aesthetic mode of expression that is not only extremely personal but also truly unique, and this may be just the prelude." The piano concerto Nameless Seas was equally well received. It was co-commissioned by the National Arts Centre Corporation and Piano Espoo Festival. The world premiere took place on 5. October 2017 in Ottawa, Canada by the NAC Orchestra with Angela Hewitt as the soloist.

Whittall’s chamber music covers a broad spectrum of styles and ensembles. Key works include the hour-long cycle of piano preludes, Leaves of Grass (2005-09), written for Risto-Matti Marin and recorded for Alba in 2015. He has also written string quartets such as Bright Ferment - String Quartet No. 2 (2019) commissioned as the compulsory piece for the Banff International String Quartet Competition in Canada. Other chamber pieces include Event Horizons for alto saxophone and piano, Devil's Gate for oboe, bassoon and piano as well as The City in the Sea for alto flute, harp and piano.

Matthew Whittall's choral music has rapidly gained international recognition. He is Associate Composer of the Carice Singers, and the Vancouver Chamber Choir has also performed his pieces. One of his most recent large-scale works is These Things Remain for baritone, chorus and orchestra commissioned by the Winnipeg Symphony Orchestra. The text is drawn from poems by Canadian soldiers deployed in Europe in World War II. Whittall has also been deeply involved in Finland's choral scene as both a composer and a performer since his earliest days in the country. He has created a large and varied body of choral works for some of Finland’s top amateur and professional vocal ensembles, including the cycle Shiki (Four Seasons), for the HOL choir, and ad puram annihilationem meam, for the Helsinki Chamber Choir. One of his latest published pieces is Christmas Hath a Darkness - Four carols for Advent, a cycle of carols for mixed choir to the poetry of Christina Rossetti.

“I always strive to pay attention to the passing moment of beauty and, in appreciating it, allow it to expand beyond the moment, to fill my whole mind with its exquisiteness. In being mindful of those rare moments, we touch on the eternal, something larger than ourselves” writes Whittall. His music is marked by this attempt and also by the attempt to fuse its various disparate influences – Old and New World, Western and non-Western, sacred and secular, classical, folk and popular – into a single, variegated expressive language by a use of extramusical imagery ranging from natural phenomena to poetry and landscape art.

See Matthew Whittall's home page

Browse the publications in our web shop at Kirjavalitys.